2015 had both incredibly beautiful films, as well as ones whose cinematography not only resulted in gorgeous shots, but also shots that made you wonder the technical aspect to them. How did Emmanuel Lubezki and John Seale shoot some of the scenes in The Revenant and Mad Max: Fury Road, for example? More traditionally, Edward Lachmann made Carol into a pretty and dreamy experience. Robert Richardson's shots in The Hateful Eight are frameable. And Sicario's most underrated aspect is probably how amazing it looks.