CineMarter
The Hateful Eight - Hate out of Ten (Happy New Year!)

Matthew Parkinson | 1 Jan 2016 12:00
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It's got interesting dialogue and characters, such a tense atmosphere that you eagerly await one of these individuals to explode, and wonderful acting from most of the cast.

It's a lot like The Thing in that regard, which makes it all the more fitting that The Hateful Eight's score uses three unused songs from The Thing. People sit around, talking, and trying to figure out key things about the others that might save their lives. This is a talkier film, of course, but the basic principle is the same. And it works exceptionally well once again here. This isn't a film that's really "about" a lot on the whole - although there are some points made from some of the key dialogue sequences - which might bring it down in some people's eyes, but it's still one heck of a ride.

The Hateful Eight also contains a few key instances of rather intense violence, as is to be expected. We're not getting anything like the climax of Django Unchained, but the violence may actually be more impactful this time out. It's primarily targeted at Jennifer Jason Leigh's character, who more often than not acts as a punching bag for the Kurt Russell character. And even though she grins through it and continues to taunt him, it does sometimes feel excessive and lingering. The only other uncomfortable moment comes from an extended monologue delivered by Samuel L. Jackson that involves ... something I won't describe, but we get to see at least part of it even though he's talking about something that may or may not have happened in the past.

Jackson serves as the closest thing we get to a lead. This is a pretty even ensemble picture, even if a few characters get more to do than a couple of others. Jackson, Russell, Leigh, Walton Goggins, and Tim Roth get the showiest of performances. Demian Bichir, Michael Madsen, and Bruce Dern are relegated mostly to the background, save for a couple of key moments. The acting is quite good, with Jackson, Russell, Goggins and especially Leigh being standouts. Tim Roth feels like he's trying to play Christoph Waltz, an actor with whom Tarantino has worked on his previous two films, but Roth is still more than adequate. These aren't easy roles to play, especially with all of the line memorization and subtle facial movements, but the actors are more than up to the task.

If you're tired of what Tarantino has to offer, The Hateful Eight is going to frustrate you more than entertain you. But, if you aren't - and, really, nine films like this in 23 years isn't a grotesquely large number at all - The Hateful Eight is going to be a very fulfilling, funny, and thrilling three hours. It's got interesting dialogue and characters, such a tense atmosphere that you eagerly await one of these individuals to explode, and wonderful acting from most of the cast. It gets a little difficult to stomach at times, it's probably 30 minutes too long when all's said and done, and it's not really "about" a whole lot, but I had a very good time with The Hateful Eight, and as far as I'm concerned it's another success for Tarantino.

Bottom Line: A talky movie about people trying to figure each other out, The Hateful Eight is a tense, thrilling, funny, and entertaining movie that might not reach Tarantino's top tier of films, but sits very close.

Recommendation: Unless you can't handle extreme violence and lots of profanity, or are tired of Quentin Tarantino's films, The Hateful Eight is absolutely worth seeing.

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