Thou Shalt Embrace Thy Limitations
This was part of SH from the beginning. Konami wanted to make a full-3D survival horror game, but since they were making it on the PS1 they had to wind back the draw distance to about six inches and make up a story about supernatural fog. Result: instantly iconic horror, and by following the same principle SH2 still looks fantastic despite the PS2's datedness, even if the characters have a slight case of fish lip going on. Consider Portal as well - developed by a small team within Valve, who couldn't spare the resources to make a longer game with more characters, resulting in an incredibly tightly designed and enthralling experience. Meanwhile, things like Final Fantasy or Gears of War are bankrolled at a sum within the region of a lottery win and spend eight hours showing off every glistening square foot of their overdesigned spaceships and dragons and the result is a complete lack of mystery that very swiftly bores me out of my skull.
I guess it's just that setting firmer parameters helps the creative process. If you give someone a big bag of money and say 'MAKE SOMETHING,' then you'll probably end up with something pretty but very soft in the head. But if you say 'MAKE SOMETHING WITH THREE CHARACTERS AND TEN ROOMS AND SET IT IN 1930'S MOROCCO' then they'll put a bit more thought into it.
Thou Shalt Set Up Plot Twists Appropriately
I feel giving any examples will be unacceptable spoilerage, so let me just briefly say that 'support character was evil all along' does NOT constitute 'character development.' What that is is 'arse pull.' And there are a lot of unsavory things that traditionally get pulled out of arses.
That's all I've got so far, but remember that SH2 was showing us how it's done EIGHT YEARS ago. Jesus. Dented goldfish learn faster than the fucking games industry.
"You can look up by adjusting the vertical sensitivity of the Wiimote."
- KDR_11k, from The Conduit comments
"Did Yahtzee even bother to check the options? You can adjust aiming speed and the size of the bounding box so you don't have to point away from the screen to turn."
- Manicfoot, from directly below KDR_11k's comment
Didn't take you long, did it. Fuck. Now I have to backpedal out of the error without losing the smug superiority. I mean, yes, of course I knew all about this. Yes, there are devices within The Conduit's options menus that let you adjust movement speed, how far up you can look and whether or not you continue turning when pointing off-screen. So I guess a couple of the issues I mentioned can be fixed.
This does, however, raise the question of why you'd include options which are basically toggle switches for 'make controls work properly,' and more pertinently, why they'd be set to 'off' by default. Besides, I see no options for 'make game less ugly' or 'make story make sense' or 'lay off the fucking infinite enemy spawners,' so yah, boo sucks to you.
Yahtzee is a British-born, currently Australian-based writer and gamer with a sweet hat and a chip on his shoulder. When he isn't talking very fast into a headset mic he also designs freeware adventure games and writes the back page column for PC Gamer, who are too important to mention us. His personal site is www.fullyramblomatic.com.