Good Old Reviews
Silent Hill - Foggy Foundation Of Fear

Marshall Lemon | 17 Oct 2015 08:00
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Silent Hill is absolutely disquieting, but it's hard to say it's especially scary. Perhaps that's just me - fear is subjective after all - but in general these monsters fail to terrify. Most of them charge out of the fog once you enter range, evaporating any fear of a threat you cannot see. That just leaves you with a series of routine encounters: "You've been spotted, run or fight, repeat". But the real disappointment is the monsters themselves. There's a reason Pyramid Head and Silent Hill 2's feminine mannequins were overused in sequels - they're highly memorable figures. Silent Hill's rotting dogs and oversized insects are generic stock monsters in comparison, ones which quickly fade from memory.

Most of Silent Hill's horror doesn't come from an outside threat, but the player's struggle with PS1 limitations. The game's controls are more outdated than its graphics, and I often found myself terrified not by the monster chasing me, but the wall I'd run into headfirst. The camera also has a bad habit of veering in the exact opposite direction you're trying to look, and Silent Hill's aiming system leaves much to be desired. To be fair, this can increase the game's tension, since your limitations mirror Mason's helplessness against enemies. But modern horror games like Amnesia and SOMA show tension and responsive controls can co-exist. Silent Hill was groundbreaking at the time, but now it can be more frustrating then immersive.

The good news is most of these flaws are forgivable, since Silent Hill is engaging enough to make progress worthwhile. What isn't forgivable is Silent Hill's item scarcity. Usually it's an effective horror tactic, making the player feel the weight of every wasted bullet. But in Silent Hill, crucial quest items can be overlooked that completely hinder your progress.

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The carnival boss was a prime example. After firing every single pistol and shotgun bullet I'd hoarded with no effect, I turned to a walkthrough for what I was missing. It turns out this enemy could easily be defeated with a hunting rifle, or a special item from earlier in the game. I had neither. Silent Hill's design rendered both objects invisible to me, and I'd probably walked by each without knowing their significance. Even worse, both items were impossible to backtrack to, and my save files were so inconveniently timed I might as well restart the game. That's roughly six hours of wasted game time, not counting deaths and reloads, just because critical items were poorly placed. (For the record, this was a significant in-game event. The carnival boss is Silent Hill's second-last, and how you defeat it determines whether you have a positive or negative ending.)

As much as I enjoyed Silent Hill, I couldn't justify replaying the entire thing for just one item. Perhaps one day I'll return, when I can rediscover its pleasures and terrors without the memory of soured gameplay. But the really strange thing? I was frustrated because I wanted to keep going, to explore those darkened alleyways and fog-filled streets. I even wanted to learn more about Silent Hill's cult, which later fans claimed undercut the supernatural power of the town.

Perhaps that's the real power of Silent Hill: Despite its age and flaws, it's a survival horror series that quietly sinks its claws into you. For all its lackluster origins and sequels, you can always see a perfect horror game somewhere in its mists. And now that Silent Hills is cancelled, that missed opportunity tears at us like we're trapped in our own personal hell - or rather, our personal Silent Hill.


Good Old Reviews will continue its retro horror coverage next week with the first survival horror game - Alone In The Dark.

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